Reflex uses a mirrored surface to make the armchair feel active within a room. Its clean form follows a brutalist idea, with bold simplicity rather than decorative detail. The surface reflects nearby light, colour and movement, so the chair changes with its setting. This gives the piece a sharp presence while keeping the shape restrained. The design also points to mid-20th century brutalism, but it reads in a more current way. It works best where a room needs reflection, structure and a visual break from softer furniture. The result is an armchair with a clear outline and a strong relationship to its surroundings.